CLOAKROOM * BRAIN CAVE * VAGABONDS

***THIS SHOW IS IN THE THEATER, WHICH IS ON THE 2ND FLOOR & ACCESSIBLE ONLY BY STAIRS. We would love nothing more than to be able to welcome every human into the theater and are working really hard to have an elevator built in the near future.***

Cloakroom released their last album “Dissolution Wave” into the world in Jan 2022, commemorating their 10th anniversary as a band. They spent the months that followed embarking on a number of tours, growing together as a cohesive unit and pushing the boundaries of what could be accomplished in a short amount of time together.

By their own standards, their new album is a couple of years early. After an upstate NY evening spent with Closed Casket Activities owner Justin Louden, the group agreed upon a deal to work together with the label on their next LP. Initially setting out to test the waters with a 4-song EP, Cloakroom booked 3 days at the famed Electrical Audio studio in Chicago in Dec 2023 and set out to write a batch of new material. The composing sessions between singer/guitar player Doyle Martin and bass player Bobby Markos proved more fruitful than expected though, and soon the band was faced with the dilemma of picking which songs to include on an abbreviated release and which to save for the future long play.

No doubt inspired by their hectic touring schedules, Cloakroom decided to set out on tracking an entire LP in the 3 days of booked studio time while on the way to Chicago. After a few long nights of rehearsing and writing with drummer Timothy Remis, the group entered the house that Albini built with longtime collaborator and engineer Zac Montez to begin tracking the ten song effort. Through a rigorous work schedule over the next 72 hours, the band was able to capture the skeleton of the album before driving to Kalamazoo and Fort Wayne for a couple of end of the year gigs. The band would round out the week by spending some time at Rec Room Studios in Palos Hills, Illinois to lay down some overdubs and further complete the record.

“Last Leg of the Human Table” is not a post-apocalyptic record or a work of science fiction like Cloakroom’s previous LP. If Dissolution Wave was a space western following an asteroid miner protagonist, Last Leg brings the observer back to Earth where most things are not as they’re cracked up to be. For Cloakroom the world of modernity is in polycrisis and America has lost its soul. Narrative fetishism is all too usual of a literary mechanism for Cloakroom. If you listen closely you can hear the concern; not just for the teetering social structure but for what it means to be human and the high cost of the human experience.

Every song is a different sound working together to showcase Cloakroom’s genre-bending capabilities and seemingly vast array of influences; whether it be the sampling of the post-disco Detroit group Was (Not Was) or the lifted NASA recording of the humming of Saturn’s rings. Engineer Zac Montez (Whirr, Turnover) whom the band has referred to as an integral part of the band once again aided in smoothing out the rough parts and turning up the quiet.

The album is truly sonically inspiring. Shoegaze, doom, post-punk, folk just scratch the surface on the band’s shortest yet seemingly most substantial release to date. “Last Leg of the Human Table” can sound sardonic in its nature and it probably is, but this group has always found some wonder in the scurrying chaos of modern life. In 37 minutes, the album almost imbues a sense of responsibility to the listener as if one leg were to falter the whole table will fall.